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SHISHI BLURS THE LINE BETWEEN REALITY AND NIGHTMARE IN “BLOOD TAPE”

SHISHI BLURS THE LINE BETWEEN REALITY AND NIGHTMARE IN “BLOOD TAPE”

Stephen Brownlee3 min read
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SHISHI's "BLOOD TAPE" feels like the kind of music video you're supposed to discover late at night, preferably when the rest of the house is quiet, and you're already a little too tired to completely trust what you're seeing. There's something strange and genuinely unsettling about it, but it never feels like it's desperately trying to shock you. Instead, the uneasiness slowly creeps in, getting under your skin more and more as the video unfolds.

There's a definite David Lynch quality to the whole thing, mixed with flashes of early Christopher Nolan and Darren Aronofsky, where you're never completely sure what you're watching or how much of it you're supposed to take literally. It also carries the grimy, disorienting atmosphere of a '90s psychological thriller, the kind of movie where reality starts to bend around the characters, and you realize halfway through that you probably shouldn't trust anything you've seen.

That uncertainty is what makes "BLOOD TAPE" so much fun to watch. Rather than immediately explaining itself, the video drops you into its world and lets you figure things out on your own. You start looking for clues, questioning certain images and trying to connect moments that may or may not actually fit together. Just when you think you've got a handle on what's happening, something else comes along to knock the whole thing sideways.

As the video progresses, the imagery becomes increasingly distorted and uncomfortable. What initially feels like it could develop into a straightforward narrative slowly turns into something much more psychological. It begins to feel less like you're watching a story unfold and more like you're trapped inside someone's head as their grip on reality starts slipping away.

There's also something refreshingly old-school about that approach. "BLOOD TAPE" doesn't feel designed to produce one instantly shareable shot or to spell out its meaning within the first 30 seconds. It wants you to sit with it. There are images and moments that stick around after it ends, and the lack of an obvious explanation makes you want to go back and watch the whole thing again to see what you missed the first time.

It's definitely a mind melter, and that's ultimately what makes it work. SHISHI leaves enough unanswered that two people could watch "BLOOD TAPE" and walk away with completely different interpretations of what they just saw. There's no giant flashing sign telling you what everything means, and there doesn't need to be.

Plenty of artists can throw in some creepy lighting, distorted imagery, and strange characters and call it dark. "BLOOD TAPE" feels like there's actually something underneath it all, waiting to be unpacked. Whether you ever completely figure it out almost feels beside the point.

Sometimes being a little confused is half the fun.

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Stephen Brownlee

Contributor